Posted on October 2, 2017
For the second time in my Street Photography life I was hit by a passer-by. The photo below shows one situation where a pancake lens can be a lifesaver, and save you the pain of having a camera stuck from your face.
Pancake lenses are fantastic for low-profile photography. Yesterday I got my camera struck out of my hand by a passing guy on a motorbike. Fortunately, the camera was around my neck. However, my glasses went flying and ended up on the road. I would like to say I was cool calm and collected. I was not. The situation got a little heated and could have got a lot worse. A pancake lens plus a little bit of Zen may have avoided this situation.
A pancake lens is flat, not quite as flat as a pancake, but still sports a low profile. Pancake lenses are often of a fixed focal length, that means you can’t zoom. The laws of physics dictate these lenses have a wide-angle profile. If you read enough about photography and fixed focal length lenses you will soon hear that you, ‘zoom with your feet’. This is not entirely true, to get a close-up photo, you need to get close (duh), you cannot zoom in with a fixed lens. Here is the rub. A shot where you zoom in looks very different to a close-up taken with a wide-angle. A zoom compresses the aspects within the frame. The photo above was taken using a wide-angle lens, and this gives the characters enough space around them for the picture to work. Zooming in on this scene from further away would have made the photo a lot busier.
The above photo was taken using the very excellent Olympus 12-40mm 2.8 Pro. I love this lens, it creates sharp images and allows me to spend a little more time framing each picture. However, it is quite intrusive for tightly packed locations. The motorcyclist hit me when my eyes were pressed to the viewfinder with the lens extended, trying to capture photos of people passing on motorbikes. This created quite a target for anyone not wanting to have their picture taken. A pancake lens is much less obtrusive, and also a smaller target. Further to this, if I had been framing my photos using the screen, and not the viewfinder, I would have been much more aware of what was happening around me.
When returning to Bangalore’s markets, I will be packing my Olympus with the excellent Panasonic 46mm 1.7 pancake lens. Alternatively, I will take the very low-profile Ricoh Grii. As always, this experience has taught me something. Sometimes locations require a low profile; a pancake lens should help achieve this. Secondly, I need to think how I respond to aggression when taking photos. When we are involved in a physical incident, our fight or flight mechanism kicks in. On this occasion, I lost my cool, flipped my lid and ‘let off a little steam,’ and this altercation could have got a lot worse. Time to meditate and bring a little ‘Zen’ into my photography….
Keep clicking, Chris